More metaphors for the resplendence of roses than roses themselves, Gartside"s abstract blots served a paradoxically precise theoretical function that belies their amorphous beauty. Titled, in turn, "white", "yellow", "orange", "green", "scarlet", "blue", "violet" and "crimson", these evanescent experiments show each "tint at various degrees of saturation", the art historian Alexandra Loske explains in her recent study

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